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There are a few subtle goth rock twists to the typical doom formula as well - I hear a touch of Bauhaus breaking through on tracks like "Cosmic Prison" and "Death Dog". The title track is full-on breath-taking terror from the get go, doom metal soaked in a chilling, gloomy atmosphere, but then halfway through it bursts into frantic rocking fury - but after all the energy is spent the song falls back into slow doom for just a minute before dissolving as the breathless instruments hopelessly struggle to stay alive.

And then the final track comes in with a booming organ introduction that will blow you away - the heaviest cover of The Doors' "Light My Fire" that we will probably ever hear. If you thought that Type O Negative had already brought this song to the dark side then think again because Satori Junk kills all of the song's upbeat swing and instead creates a downtrodden doom with new keyboard and guitar solos that seem to dance and scream with a sick delirium.

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The whole album feels like a fever dream that takes place in a haunted mansion - something that will give you chills for weeks to come. Super Dank Metal Jams May Iyezine May Sarete poi voi a scegliere a quali santi affidarvi, rimanendo consci del fatto che i Suum suonano il Doom che amano e conoscono a menadito, evitando di cadere nel tranello delle becere scopiazzature.

I trentacinque minuti dell'album abbracciano il panorama in maniera ampia e avvolgente, mostrandosi classici, epici e rocciosi, forti di una solida e matura devozione nei confronti di chi ha creato il sentiero da percorrere. Al tempo stesso mostrano una prova compositiva ed esecutiva di spessore, nella quale emergono i bei riff di Painkiller, la compattezza della base ritmica fornita dal bassista Marcas e dal batterista Rick, mentre Marco imprime ai pezzi la dovuta forza dietro al microfono, tingendoli talvolta di atmosfere spettrali, altre ipnotiche.

I Suum si trovano perfettamente a proprio agio in questa nicchia accogliente, ma viva e pulsante anche nel Buona la prima! Aristocrazia Webzine May Metalitalia May The slightly reverberated vocals tend to enhance the slow paced rhythms, accompanying flawlessly the grooves throughout the songs. Round Trip May Satori Junk new album The Golden Dwarf didn't grab me at first when I originally listened to the album and that's perhaps down to the two opening songs - Intro and All Gods Die.

Intro opens with a standard audio soundbyte about the perils of modern environmental issues. The whole flow of this song and album feels influenced by Faith No More. Satori Junk change their sound at so many different parts of the album that it sometimes can be very hard to understand what is going on. I admire Satori Junk's willingness to experiment with their sound and leave the listener questioning what they are listening to.

The majority of these songs run between to ten minutes and fifteen minutes in length. This may sound like I don't rate the album at all. However, I actually rate this album very highly. I haven't a clue what the whole album means as I need to devote more time listening to the album.


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Time which I don't currently have at the moment. However, I will in the future as The Golden Dwarf is an album that will leave a mighty impression on you. Satori Junk style of music could be classed as Avant-Garde at times with everything sounding like a psychedelic nightmare coming to life. The production is quite loud and intense at times with the majority of the epic songs having the most powerful and out-there moments on the album.

Satori Junk has never been the easiest band to categorize and that won't change with this album. The Golden Dwarf is a superb album. No question, though it will be some time before I build up the nerve to listen to it again Outlaws Of The Sun May Astor Voltaires es el proyecto solista del chileno Juan Escobar, quien fue muy conocido en la escena metalera chilena y mundial por haber cantado y tocado teclados con Mar de Grises y posteriormente con Bauda.

Juan, muchos conocen tus proyectos, sobre todo cuando tocaste con Mar de grises y Bauda. Hola Manuel. La inquietud siempre estuvo desde que recuerdo. Es un idioma muy bonito que espero aprender a fondo. Interesante pregunta. Firmamos con uno de los grandes sellos metaleros a nivel mundial, pero nunca al nivel mainstream de Criminal.

Creo que el doom metal nunca va a ser mainstream. Pero de los gringos me espero cualquier locura. Mayormente he estado haciendo mezclas y masterizaciones. No solo de metal vive el hombre haha. Cada cual con sus gustos, eso es lo que opino.

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Los va a llenar de esperanzas y alejar de la tierra llena de gente mala haha. No soy muy de novelas, pero un poeta que me cambio la vida fue Eduardo Anguita, Chileno. Primero agradecerte a ti por la confianza y por el apoyo. Novutrefall Records May The foursome from Milano offers something for doomer and stoner alike in their new LP and it is indeed a trip — perhaps their finest yet.

Doom on acid! Were it not for the opening narration, I would have almost believed I was in for an altogether different record. The new landscape presents the atmospheric synth, spacey synth, and bizarre, swirling noises that rise like incense unto the heavens. A madman strikes the organ, and we hear the echo of unhinged vocals, joined by grim, grinding riffs. The Golden Dwarf is a funhouse filled with disturbing twists and turns, steep slides, spinning disks, shifting floors, and oddly distorted mirrors.

What makes it work so well is the bed of fuzz-soaked doom and a mean-as-nails beat that grounds our footing in this floating barge of psychedelic lights, cascading pedal chirps, and otherworldly synth. It can be pre-ordered here. We met in the spring of , after publishing an announcement on a local music website. Since we had not a single riff ready, we spent our first rehearsals jamming. Sometimes we played more than twenty minutes over a single riff, improvising or making little changes to our parts.

After a month playing as an instrumental trio, Luke arrived. Together we decided to color our wall of sound with synths. That winter we were ready to record our demo: Doomsday.

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The main character, Richard, owns a secondhand store with that name. These two words together to create a wonderful contrast. This could also fit in our music. An acid and powerful mixture of heavy riffing with something more colorful and ethereal, like the synths from the seventies. Musically, we always try to gather inspiration by every kind of music we are into. Every band member exploits his own influences and contributes to the final work. Our lyrics are like short, surreal stories with bizarre characters, perfect for a B-Movie horror script.

When we recorded our first album, we had no expectation at all. People are starting to recognize our sound and we feel a little more responsibility.

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In three years, we have grown a lot, changed our drummer, whose effort was fundamental, and tried to distance ourselves from genre stereotypes to develop our own sound. There is always a link between our previous work and the new one. The Golden Dwarf is a potion. A magic drink to achieve tranquility, calm down the anger and relief the pain. Finally, would you be willing to guide is through the tracks on the new album and give us any insight into each of the songs?

Some people find relief in faith, some prefer to fight for their own and others prefer to give up and comply with society. Everyone has his own prison. The title track is the epilogue: shaken by anxiety, suffering and hate, we try to find a solution, drinking from the magic bottle. The Intro is a spoken word clip, that introduces the album, with some haunting warnings. All Gods Die is slow to start, the instrumentation mixes haunting melodies, with piercing precision to create, something definitely acidic.


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The guitars create the horror that the lyrics sing of. When the heaviness kicks in the listener knows, this song blares through from one end to another, a true heavy opener. Cosmic Prison is a layer of solid sludge, guitars and drums in synch, the vocals tell the story of something horrifying and gruesome. Blood Red Shrine is a trip, the guitars, the drums the rhythm of the song is slow, with something like death creeping up on you, ready to pounce and take everything to the next level. Death Dog has swagger and groove the guitars and the drums carry the song aptly.

The Golden Dwarf is the title track, and it makes everything that much more interesting, eerie, anthemic and heavy all at once, something that really carries over and makes things sing properly. The Median Man May Liricamente sempre me interessou o lado obscuro das coisas.

Mark Wolf: Obrigado pela interessante entrevista. Sigam o Sabbath! The Candlemass inspired riffs and melancholy vocal style of Mark Wolf conjure up soul sucking forces that are just too damn good to turn off. Epicus Doomicus Metallicus was released at the peak of thrash metal domination and did everything opposite from what that community was into at the time.

Moody blues rock inspired by the jams of Black Sabbath forged with leviathan punk chords that stalled until death set in became a common practice in the doom metal scene, but somewhere along the line that formula became muddled with a thousand different possibilities and for better or worse the genre evolved. Suum does not muddle the formula or attempt to present an aesthetic that is anything but traditional.

By track two, one should expect that the quality of Suum is going to continue.