Mozart's grace Scott G. The black cow's footprint: time, space, and music in the lives of the Kotas of South India Richard K. Music and the exotic from the Renaissance to Mozart Ralph P. Cultivating music in America: women patrons and activists since Ralph P. Locke and Cyrilla Barr. Sukuma labor songs from Western Tanzania: "we never sleep, we dream of farming" Frank D. Schoenberg's new world: the American years Sabine Feisst. Struggling to define a nation: American music and the twentieth century Charles Hiroshi Garrett.
The uncrowned king of swing: Fletcher Henderson and big band jazz Jeffrey Magee. The critical nexus: tone-system, mode, and notation in early medieval music Charles M. Transnational encounters: music and performance at the U. Silent music: medieval song and the construction of history in eighteenth-century Spain Susan Boynton.
Listening to the sirens: musical technologies of queer identity from Homer to Hedwig Judith Ann Peraino. Enrique Granados: poet of the piano Walter Aaron Clark.
Enlightenment Orpheus: the power of music in other worlds Vanessa Agnew. Monteverdi's last operas: a Venetian trilogy Ellen Rosand. Beautiful monsters: imagining the classic in musical media Michael Long. Voicing the ineffable: musical representations of religious experience Siglind Bruhn. The Orpheus myth and the powers of music Vladimir L. The era after the Baroque: music and the fine arts Robert T.
Source readings in American choral music David P. Sonic transformations of literary texts: from program music to musical ekphrasis Siglind Bruhn. Reflections on American music: the twentieth century and the new millennium : a collection of essays presented in honor of the College Music Society James R. Musical ekphrasis: composers responding to poetry and painting Siglind Bruhn. Music philology: an introduction to musical textual criticism, hermeneutics, and editorial technique Georg Feder.
Music in American higher education: an annotated bibliography Edward Brookhart. A music for the millions: antebellum democratic attitudes and the birth of American popular music Nicholas E.
Masqued mysteries unmasked: early modern music theater and its Pythagorean subtext Kristin Rygg. Jazz in print : an anthology of selected early readings in jazz history Karl Koenig. Intimate music: a history of the idea of chamber music John H. English musicians in the age of exploration Ian Woodfield.
Dance and music of court and theater: selected writings of Wendy Hilton Wendy Hilton. Concert life in Haydn's Vienna: aspects of a developing musical and social institution Mary Sue Morrow. Big sounds from small peoples: the music industry in small countries Roger Wallis and Krister Malm.
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Big Freedia Is the Voice of New Orleans, Hip Hop, and Culture at Large | GQ
A humanistic philosophy of music Edward A. Celtic music: a complete guide June Skinner Sawyers. The Latin beat: the rhythms and roots of Latin music from bossa nova to salsa and beyond Ed Morales. Beethoven's anvil: music in mind and culture William Benzon. In search of the blues Marybeth Hamilton. Hugo Riemann and the birth of modern musical thought Alexander Rehding. Beethoven, Violin concerto Robin Stowell.
Palestrina and the German romantic imagination: interpreting historicism in nineteenth-century music James Garratt. Bounce features lyrics that characterize the performers as queer, describe sex explicitly, celebrate sex between male-bodied people, and expose the hypocrisy of straight-acting men.
Bounce performances create a fleeting community of artists, bodies and music that is less about the expression of discrete sociodemographic categories, and more about a collective affective event. Affiliations: 1 Aalborg University, Denmark. Abstract This article explores how language, sexuality, and affect are circuited in New Orleans bounce music.
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